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Like a vision she dances across the porch as the radio plays
Roy Orbison's singing for the lonely
Hey, that's me and I want you only
Don't turn me home again, I just can't face myself alone again
Don't run back inside, darling, you know just what I'm here for
So you're scared and you're thinking that maybe we ain't that young anymore
Show a little faith, there's magic in the night
You ain't a beauty, but hey, you're alright
Oh, and that's alright with me
You can hide 'neath your covers and study your pain
Make crosses from your lovers, throw roses in the rain
Waste your summer praying in vain
For a savior to rise from these streets
Well now, I'm no hero, that's understood
All the redemption I can offer, girl, is beneath this dirty hood
With a chance to make it good somehow
Hey, what else can we do now?
Except roll down the window and let the wind blow back your hair
Well, the night's busted open, these two lanes will take us anywhere
We got one last chance to make it real, to trade in these wings on some wheels
Climb in back, heaven's waiting down on the tracks
Oh, come take my hand
We're riding out tonight to case the promised land
Oh, Thunder Road, oh, Thunder Road
Oh, Thunder Road
Lying out there like a killer in the sun
Hey, I know it's late, we can make it if we run
Oh, Thunder Road, sit tight
Take hold, Thunder Road
Well, I got this guitar and I've learned how to make it talk
And my car's out back if you're ready to take that long walk
From your front porch to my front seat
The door's open but the ride ain't free
And I know you're lonely for words that I ain't spoken
Tonight we'll be free, all the promises will be broken
There were ghosts in the eyes of all the boys you sent away
They haunt this dusty beach road in the skeleton frames of burned out Chevrolets
They scream your name at night in the street
Your graduation gown lies in rags at their feet
And in the lonely cool before dawn, you hear their engines roaring on
But when you get to the porch they're gone on the wind
So Mary climb in
It's a town full of losers, I'm pulling out of here to win
So you're scared and you're thinking that maybe we ain't that young anymore
Show a little faith, there's magic in the night
You ain't a beauty, but hey, you're alright
Oh, and that's alright with me."
Astoundingly mature lyrics for when he wrote them. Dylan's got nothing on Bruce!
I saw him during his Darkness tour In 1978 or1979 in Toronto . It changed my life
Hey Peter -- I drove down from Toronto to see him in Buffalo on the Cadillac tour in about '83/'84. Same for me. (And you wouldn't happen to be Peter McClelland, brother to Linda McClelland from Toronto would you?)
I don't own any of his albums, but I worked a concert of his back in the early 70's in the UVA gym. He was pretty unknown, I think he was billed as the next Dylan. But, God, it was absolutely the best concert I've ever been too (and I've been to many, many). Incredible energy.
Wahoowa
Lots of wasted days and wasted nights there in Minnesota, huh?
Great post. And the indisputable fact, especially for those who have seen him live, as I have twice (only twice, I should add), is that he is one of the truly hardest working people in showbiz. 110% sincere giving energy on that stage, which in his younger days, at least, I can attest he was all over like human hurricane.
You must have never seen him when he goes to a restaurant with an unlimited salad bar.
Well, yeah, I heard about some incident on 57th Street.
I'm pretty sure I could point out northern Manitoba on a map, but please clue me in as to how to get to southern Patagonia.
Gee, sorry treatment_bound, I missed this 8-year old post.
I hitched. Well, my grandmother Kaete left me at the border crossing with Montana. November 1976.
Passage from Colon, Panama to Golfo de Turbio cost me US$20 on a smuggler's boat.
The rest I hitched on cars, trucks, private planes, trains. Paid for a bus in northern Mexico because two American tourists had been killed. Paid for a few other trains where I had no choice.
Thunder Road came on at 11:30 PM at night as I was travelling back north in an Argentinian truck following a backpack trip around the Paine Towers in southern Chile (los Torres del Paine).
...but good grief, I do. I really, really do.
A younger generation is never going to be the one to judge older music as overrated. They know not where that music was coming from, their tastes are rooted in the moment, AND it's their job to forge ahead not look back. Later, with age, may come the clarity as you describe here.
There's still time for you on the Rolling Stones... maybe in your forties you'll "get" them.
Nonetheless... he is above them.
One! Two! Three! Four!!...
I am about 3/4 through his autobiography. Interesting stuff about how his early albums came together. Even more interesting, because of early management contract under which he received peanuts for his first 3 albums, including this one, he had a rather modest income until 1982.
The man paid his dues. For 5-6 years, before getting that first recording contract, he was scraping by, living wherever he could, honing his craft.
I've never read that book. Never will. He's a rock and roll maestro, and among the very hardest working people in show biz. If you'd ever seen him live, you'd know exactly what I mean.
He does probably know and doesn't care.
The guitar riff in 'Born to Run', the song, is all that has ever caught my attention from this Joizee Joker.
Since it became apparent that he's got that sick - 'my thoughts on politics matter to people as much as my music' - delusion, I get almost as excited hearing anything he does as I do when 'The View' is on somewhere and I catch a glimpse of Behar and Goldberg.
Right on Sister!
Self indulgent?
You sure you're not thinking of Sting (or Kanye West)?
Bruce is about the last guy I would call self indulgent.
You must have never seen him when he goes to a restaurant with an unlimited salad bar.
Self indulgent?
You sure you're not thinking of Sting (or Kanye West)?
Bruce is about the last guy I would call self indulgent.
The guitar riff in 'Born to Run', the song, is all that has ever caught my attention from this Joizee Joker.
Since it became apparent that he's got that sick - 'my thoughts on politics matter to people as much as my music' - delusion, I get almost as excited hearing anything he does as I do when 'The View' is on somewhere and I catch a glimpse of Behar and Goldberg.
AMEN!
His live presentation of this album at the Hammersmith Odeon was incredible. I actually think I like HO better than BTR, and that is high praise, given what I'm comparing it to.
No album could have lived up to that kind of media/PR barrage, so for me "Born to Run" is a loud, busy, overwrought but generally OK album that hasn't aged well. I think I stand with some of the younger RP listeners on this one.
Yay!, you're still young. I bet you liked him when nobody had heard of him yet, though.
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no
I adored this album. Not so much his later material.
https://www.greasylake.org/articles_record.php?s_keyword=yes&s_headline=Essential+Articles&Id=5&release_title=&concert_date=
https://www.greasylake.org/articles_record.php?s_keyword=yes&s_headline=Essential+Articles&Id=6&release_title=&concert_date=
I didn't get it back then, and I still don't get it.
Nothing but noise to me.
No album could have lived up to that kind of media/PR barrage, so for me "Born to Run" is a loud, busy, overwrought but generally OK album that hasn't aged well. I think I stand with some of the younger RP listeners on this one.
That you most certainly do
Same here. Wish I had had these hopes, dreams, ambitions when I was a kid.
No album could have lived up to that kind of media/PR barrage, so for me "Born to Run" is a loud, busy, overwrought but generally OK album that hasn't aged well. I think I stand with some of the younger RP listeners on this one.
I blame the Australians.
It all started with Frank Ifield.
Perhaps the club scene itself was restricted to clubs in large cities like NYC and LA, but there were several large selling "disco" hits by 1975: "Get Down Tonight, "That's The Way I Like It", "Rock Your Baby", Fly Robin Fly", "Rock The Boat", etc... However, you are correct that disco really didn't 'engulf popular music' until after The Bee Gees and "Saturday Night Fever" a couple of years later.
I blame the Australians.
Except roll down the window
And let the wind blow
Back your hair
It's hard to not give a song a 10 when, every time you hear it, it brings on waves of hope and regret and nostalgia and promise.
and that sense of pending desperation...
Not writing huge overblown anthems like later on.
Except roll down the window
And let the wind blow
Back your hair
It's hard to not give a song a 10 when, every time you hear it, it brings on waves of hope and regret and nostalgia and promise.
Not to put too fine a point on it, but in 1975 disco was still largely an underground club scene in a few large cities like LA and New York. It's practitioners were mostly African American, Latino, and gay which made for an interesting melange of cultures on the dance floor. The saddest aspect of the disco was not that it briefly engulfed popular music, but that it's ability to bring such disperate elements of society together and integrate them on the dance floor was misunderstood by a rather ignorant populace who embraced and then angrily rejected it without ever understanding that it was never intended for mass consumption in the first place.
Perhaps the club scene itself was restricted to clubs in large cities like NYC and LA, but there were several large selling "disco" hits by 1975: "Get Down Tonight, "That's The Way I Like It", "Rock Your Baby", Fly Robin Fly", "Rock The Boat", etc... However, you are correct that disco really didn't 'engulf popular music' until after The Bee Gees and "Saturday Night Fever" a couple of years later.
Exactly!
Where do these people come from that know not what they are talking about?!?
And even worse... "#justsayin". Ugh!!
The guy probably didn't know who Steinman was.
Agreed. And to hear Clarence's Sax again. What a sound he had.
Was never a fan, either. He seems like a cool guy, though.
This is PURE TEN .
These guys sure sound like Kid Rock.
Nah. Bruce totally ripped his sound from Justin Bieber.
Emwolb wrote:
Well then blame Steinman for ripping off Bruce since there's 2 years betw BTR's release (1975) and BOOH's release (1977)
Exactly!
Where do these people come from that know not what they are talking about?!?
And even worse... "#justsayin". Ugh!!
Well then blame Steinman for ripping off Bruce since there's 2 years betw BTR's release (1975) and BOOH's release (1977)
Springsteen by ~jasonseiler
Jason Seiler ©2007-2010 ~jasonseiler
https://www.imaginismstudios.com
Title: Springsteen
Software: Photoshop
This is what I did about a month ago, a spot illustration of the "new" Bruce Springsteen, for The Weekly Standard. At first it was going to have a background and print a little larger. Then half way through painting it that way, it was moved to a different section of the magazine, and a background was no longer needed. No big deal, part of the job, it's a weekly magazine, things are bound to change last minute. I really love working with these guys and I hope to continue on with them, I enjoy illustrating current issues, it's more interesting and fun for me then painting random celebs! All in all, two days worth on my part, about 14 to 16 hours of work.
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Great illustration! - As a writer of sorts I would love, just once to write something as poignant and heartfelt as "Thunder Road."
Springsteen by ~jasonseiler
Jason Seiler ©2007-2010 ~jasonseiler
https://www.imaginismstudios.com
Title: Springsteen
Software: Photoshop
This is what I did about a month ago, a spot illustration of the "new" Bruce Springsteen, for The Weekly Standard. At first it was going to have a background and print a little larger. Then half way through painting it that way, it was moved to a different section of the magazine, and a background was no longer needed. No big deal, part of the job, it's a weekly magazine, things are bound to change last minute. I really love working with these guys and I hope to continue on with them, I enjoy illustrating current issues, it's more interesting and fun for me then painting random celebs! All in all, two days worth on my part, about 14 to 16 hours of work.
.
Not to put too fine a point on it, but in 1975 disco was still largely an underground club scene in a few large cities like LA and New York. It's practitioners were mostly African American, Latino, and gay which made for an interesting melange of cultures on the dance floor. The saddest aspect of the disco was not that it briefly engulfed popular music, but that it's ability to bring such disperate elements of society together and integrate them on the dance floor was misunderstood by a rather ignorant populace who embraced and then angrily rejected it without ever understanding that it was never intended for mass consumption in the first place.
And you know all this how?
SQUIRREL!
I can't believe this music came out of a small town 7 miles from where I grew up!
Freehold,NJ baby!
Not to put too fine a point on it, but in 1975 disco was still largely an underground club scene in a few large cities like LA and New York. It's practitioners were mostly African American, Latino, and gay which made for an interesting melange of cultures on the dance floor. The saddest aspect of the disco was not that it briefly engulfed popular music, but that it's ability to bring such disperate elements of society together and integrate them on the dance floor was misunderstood by a rather ignorant populace who embraced and then angrily rejected it without ever understanding that it was never intended for mass consumption in the first place.
Well put. It really paints a picture of being a high school kid with dreams, ambitions, fears...
This song and Born to Run are two of my all time favorites.
These guys sure sound like Kid Rock.
I once heard someone remark of this song (maybe it was on here) something along the lines of "Bruce Springsteen is the only guy who can get away with using the word 'redemption' in a song about redemption."
And for the record, I'm not a huge Bruce fan. He's got his moments, though, and this is sure one of them. : )
akaike wrote:
I've ALWAYS been proud to be from Jersey.....but yes,Bruce being from there does help(but there's hundreds more)
Boober-Exit 9(NJ Tpk)
Thunder Load. Blech.
So - I'm sitting here at 9:40 p.m. with the speakers cranked. Glad to be true to my roots - and I love this song in ways I cannot even describe....
Miss you so much, Cynaera...
love this song...
Ditto. Bruce is still the hardest working man in show business! His recent Vancouver show was also awesome.
I've got to stop rating songs when I'm apparently outta my freakin' mind.
I learned to love this CD in northern Manitoba and Saskatchewan shortly after it came out. My union went on strike at the open-pit coal mine where I worked in British Columbia. And there I went looking for work as a fishing guide and quickly ran into protectionist native Cree politics. It was an early lesson.
Then a couple of years later, it came on in a cargo truck as I hitch-hiked late at night out of a coal mine in the southern Argentinian Patagonia heading back north to Brazil and Bolivia.
Electric. American rock was on fire during the mid-1970s. FWIW, it takes a lot for pop music to stand out in either Argentina or Brazil. Argentina's folk music traditions are as rich and even more varied than those of Brazil!
that piano...mmm!