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Pneumatic drill and ripped-up concrete
A baby wailing, a stray dog howling
The screech of brakes and lamplight blinking
That's entertainment
That's entertainment
A smash of glass and the rumble of boots
An electric train and a ripped-up phone booth
Paint-splattered walls and the cry of a tomcat
Lights going out and a kick in the balls
I say that's entertainment
That's entertainment
La la la la la, ah
La la la la la, ah
Days of speed and slow-time Mondays
Pissing down with rain on a boring Wednesday
Watching the news and not eating your tea
A freezing cold flat with damp on the walls
I say that's entertainment
That's entertainment
La la la la la
La la la la la
Waking up at 6 A.M. on a cool warm morning
Opening the windows and breathing in petrol
An amateur band rehearsing in a nearby yard
Watching the telly and thinking 'bout your holidays
That's entertainment
That's entertainment
La la la la la, ah
La la la la la, ah
La la la la la, ah
La la la la la
Waking up from bad dreams and smoking cigarettes
Cuddling a warm girl and smelling stale perfume
A hot summer's day and sticky black tarmac
Feeding ducks in the park and wishing you were far away
That's entertainment
That's entertainment
Two lovers kissing masks a scream of midnight
Two lovers missing the tranquility of solitude
Getting a cab and travelling on buses
Reading the grafitti about slashed-seat affairs
I say that's entertainment
That's entertainment
La la la la la, ah
La la la la la, ah
La la la la la, ah
La la la la la
La la la la la, ah
La la la la la, ah
La la la la la, ah
La la la la la
La la la la la, ah
La la la la la, ah
La la la la la, ah
in nymag.com there's a great series of photos by Janette Beckman, which includes
Paul Weller and Pete Townshend in London, 1980
"Paul Weller always loved Pete Townshend, who was like the first-coming of the mods. This was the first time they met. They're standing outside the The Marquee Club, where The Jam and The Who probably both played. The headline was 'The Punk and the Mod-father.' Old mod meets new mod."
This pic and lots of other interesting others from that time here - https://janettebeckman.com/uk-...
Some background to the pic here - http://www.faheykleingallery.c...
Still packing the punch decades later - a flawless 10 from me
Have you actually listened to the lyrics? The sense of isolation and despair spoke to a generation of us who missed out (and paid for) the Yuppie prosperity boom in Thatcher’s Briton.
Days of speed and slow-time Mondays
Pissing down with rain on a boring Wednesday
Watching the news and not eating your tea
A freezing cold flat with damp on the walls
Waking up at 6 A.M. on a cool warm morning
Opening the windows and breathing in petrol
An amateur band rehearsing in a nearby yard
Watching the telly and thinking 'bout your holidays
Waking up from bad dreams and smoking cigarettes
Cuddling a warm girl and smelling stale perfume
A hot summer's day and sticky black tarmac
Feeding ducks in the park and wishing you were far away
Two lovers kissing masks a scream of midnight
Two lovers missing the tranquility of solitude
Getting a cab and travelling on buses
Reading the grafitti about slashed-seat affairs
I say that's entertainment
That's entertainment
They so accurately depict a time and a place in my life. I was that man.
You may not have the wit or the life experience to ‘get it’ but my generation certainly did. I enjoy this song as a piece of music but also as a social comment. It is good for the now middle age and middle class person I’ve become to remember what its like for people currently in the “freezing cold flat with damp on the walls”.
THANK YOU. i love this song, always have. this is a number 1 comment for me.
album: The Jam - Greatest Hits
why Bill? whyyyy...
so many listings here are from "greatest hits" records. I don't know why, but it just bugs me..
https://en.wikipedia.org/wiki/...
album: The Jam - Greatest Hits
why Bill? whyyyy...
so many listings here are from "greatest hits" records. I don't know why, but it just bugs me..
"The Butterfly Collector"
Still packing the punch decades later - a flawless 10 from me
Yep, I'm with you. It's great that a three-piece doesn't get hung up about having all three elements in your face for every song The minimal percussion here works with the acoustic strumming, aggressive vocals, and clear bass lines in perfect balance. I love it.
Such a rollicking great song
rollicking is a fun word
we should all do it
say it
live it
should probably be
'Reading the graffiti about slash seats or fares'
as far I can tell - its a reference to graffiti about bus / tube / train fares being too high
Dear goddess. Is that not EXACTLY like a Scot... still whining, decades later even, that it is/was all Thatcher's fault! And we whine about DJT. His mom was a Scot after all. Where do you think he gets all that... I'm so miserable; everybody hates me and I'm misunderstood so I'm going to just tell more lies; whiny-child crap from. Jeez.
Geez, shows you dont understand about what the song is REALLY about...
But - and that makes people like you so insufferable - you FEEL the NEED to shout your total ignorance out into the world...
And does the world wanna hear it?
NO MATE WE DONT!!!!
Dear goddess. Is that not EXACTLY like a Scot... still whining, decades later even, that it is/was all Thatcher's fault! And we whine about DJT. His mom was a Scot after all. Where do you think he gets all that... I'm so miserable; everybody hates me and I'm misunderstood so I'm going to just tell more lies; whiny-child crap from. Jeez.
I'm sorry that your so miserable and everybody hates you. However, I feel no need to justify myself or my nation, I rather leave it to the good sense and decency of the readers of this blog to decide who's responsible for the "whiny-child crap"!
Excellent post and well put!
Dear goddess. Is that not EXACTLY like a Scot... still whining, decades later even, that it is/was all Thatcher's fault! And we whine about DJT. His mom was a Scot after all. Where do you think he gets all that... I'm so miserable; everybody hates me and I'm misunderstood so I'm going to just tell more lies; whiny-child crap from. Jeez.
Have you actually listened to the lyrics? The sense of isolation and despair spoke to a generation of us who missed out (and paid for) the Yuppie prosperity boom in Thatcher’s Briton.
Days of speed and slow-time Mondays
Pissing down with rain on a boring Wednesday
Watching the news and not eating your tea
A freezing cold flat with damp on the walls
Waking up at 6 A.M. on a cool warm morning
Opening the windows and breathing in petrol
An amateur band rehearsing in a nearby yard
Watching the telly and thinking 'bout your holidays
Waking up from bad dreams and smoking cigarettes
Cuddling a warm girl and smelling stale perfume
A hot summer's day and sticky black tarmac
Feeding ducks in the park and wishing you were far away
Two lovers kissing masks a scream of midnight
Two lovers missing the tranquility of solitude
Getting a cab and travelling on buses
Reading the grafitti about slashed-seat affairs
I say that's entertainment
That's entertainment
They so accurately depict a time and a place in my life. I was that man.
You may not have the wit or the life experience to ‘get it’ but my generation certainly did. I enjoy this song as a piece of music but also as a social comment. It is good for the now middle age and middle class person I’ve become to remember what its like for people currently in the “freezing cold flat with damp on the walls”.
Excellent post and well put!
"You Do Something To Me"
justin4kick wrote:
poetdancer wrote:
Paul Weller is playing in Berkeley in October, and I was planning on going, hoping he'd play more than one song by the Jam... now I'm reconsidering.
I must make myself clear on this one. Go there! You'll be amazed how great his Post Jam work is, especially live.
Paul Weller and Pete Townshend in London, 1980
"Paul Weller always loved Pete Townshend, who was like the first-coming of the mods. This was the first time they met. They're standing outside the The Marquee Club, where The Jam and The Who probably both played. The headline was 'The Punk and the Mod-father.' Old mod meets new mod."
Extra wicked musicians : )
Notice how the 2011 riots are never spoken about? No enquiry or investigation, just more riot training and kit for the Police. The next round of riots will be even more destructive, the pressure people are under now is far higher and many quite literally have nothing to lose anymore.
This is a great song that has a similar effect on me as on Scottish Willie ... except I'm still common ;-)
For those of us who weren't tuned into those 2011 riots: what was going on? Was there any one reason for them or was it a free-for-all when people realized they could get away with mayhem? American TV news depicted the unrest as kids skylarking and destroying just for the fun of it...
Paul Weller is playing in Berkeley in October, and I was planning on going, hoping he'd play more than one song by the Jam... now I'm reconsidering.
11.
His work since is great too.
Paul Weller is playing in Berkeley in October, and I was planning on going, hoping he'd play more than one song by the Jam... now I'm reconsidering.
Have you actually listened to the lyrics? The sense of isolation and despair spoke to a generation of us who missed out (and paid for) the Yuppie prosperity boom in Thatcher’s Briton.
Days of speed and slow-time Mondays
Pissing down with rain on a boring Wednesday
Watching the news and not eating your tea
A freezing cold flat with damp on the walls
Waking up at 6 A.M. on a cool warm morning
Opening the windows and breathing in petrol
An amateur band rehearsing in a nearby yard
Watching the telly and thinking 'bout your holidays
Waking up from bad dreams and smoking cigarettes
Cuddling a warm girl and smelling stale perfume
A hot summer's day and sticky black tarmac
Feeding ducks in the park and wishing you were far away
Two lovers kissing masks a scream of midnight
Two lovers missing the tranquility of solitude
Getting a cab and travelling on buses
Reading the grafitti about slashed-seat affairs
I say that's entertainment
That's entertainment
They so accurately depict a time and a place in my life. I was that man.
You may not have the wit or the life experience to ‘get it’ but my generation certainly did. I enjoy this song as a piece of music but also as a social comment. It is good for the now middle age and middle class person I’ve become to remember what its like for people currently in the “freezing cold flat with damp on the walls”.
Thanks Willie. I am enlightened. I just liked the song. I won't hear it the same way again knowing the history you described. Tough times were had by all in the '80s- Reagan, Thatcher, Mulroney... and a recession caused by, imo, cuts to services.
Moved it up to 9.
....
They so accurately depict a time and a place in my life. I was that man.
You may not have the wit or the life experience to ‘get it’ but my generation certainly did. I enjoy this song as a piece of music but also as a social comment. It is good for the now middle age and middle class person I’ve become to remember what its like for people currently in the “freezing cold flat with damp on the walls”.
Well said, friend. We watched (or experienced) the carnage first hand. Many didn't survive it intact.
I was a student in Trafalgar Square when the Poll Tax riot kicked off. That's entertainment, all right.
Have you actually listened to the lyrics? The sense of isolation and despair spoke to a generation of us who missed out (and paid for) the Yuppie prosperity boom in Thatcher’s Briton.
Days of speed and slow-time Mondays
Pissing down with rain on a boring Wednesday
Watching the news and not eating your tea
A freezing cold flat with damp on the walls
Waking up at 6 A.M. on a cool warm morning
Opening the windows and breathing in petrol
An amateur band rehearsing in a nearby yard
Watching the telly and thinking 'bout your holidays
Waking up from bad dreams and smoking cigarettes
Cuddling a warm girl and smelling stale perfume
A hot summer's day and sticky black tarmac
Feeding ducks in the park and wishing you were far away
Two lovers kissing masks a scream of midnight
Two lovers missing the tranquility of solitude
Getting a cab and travelling on buses
Reading the grafitti about slashed-seat affairs
I say that's entertainment
That's entertainment
They so accurately depict a time and a place in my life. I was that man.
You may not have the wit or the life experience to ‘get it’ but my generation certainly did. I enjoy this song as a piece of music but also as a social comment. It is good for the now middle age and middle class person I’ve become to remember what its like for people currently in the “freezing cold flat with damp on the walls”.
Or the acoustic version w/ 1 of the Oasis Gallagher brothers: all 10's
Paul Weller and Pete Townshend in London, 1980
"Paul Weller always loved Pete Townshend, who was like the first-coming of the mods. This was the first time they met. They're standing outside the The Marquee Club, where The Jam and The Who probably both played. The headline was 'The Punk and the Mod-father.' Old mod meets new mod."
Brilliant photo.
The notion of Townsend as the first mod rocker seems so at odds with "Tommy", but AFAIK Weller knew what he was talking about. Paul's gone through some serious stylistic changes of his own, but I love this song.
Adam Ant—wow, talk about a trip down memory lane.
Maybe to you 'irony' is something a blacksmith does...
Indeed, the bass and acoustic guitars carry the time on this one. Indeed convincing Foxton to switch to bass was one of Weller's shrewder ideas.
eddyrixhon wrote:
good choice RP ! thanks !
The_Walrus wrote:
I was just discussing the Morrissey version with a friend recently. His style of melancholy doesn't mesh well with Weller's, IMO. When Weller gets angry, Moz just gets dramatic... : )
I'd ask 'em if I could bum a smoke, but they look like they'd kick the crap out me without wrinkling their suits, and then drive their bikes
right over my head.
well, that's entertainment.
I'd ask 'em if I could bum a smoke, but they look like they'd kick the crap out me without wrinkling their suits, and then drive their bikes
right over my head.
good choice RP ! thanks !
I could say that I like Paul Weller, and maybe even the Jam, but...Ho hum, this song just does not do it for me
Fortunate to have gone to school in UK in the 80's to catch this band in concert.
Paul Weller and Pete Townshend in London, 1980
"Paul Weller always loved Pete Townshend, who was like the first-coming of the mods. This was the first time they met. They're standing outside the The Marquee Club, where The Jam and The Who probably both played. The headline was 'The Punk and the Mod-father.' Old mod meets new mod."
How the hell did Paul Weller go from this to Style Council?!?
I guess a lot of things changed for him in three years or so, but it didn't seem like a jarring transition at the time (to me).
One of my favorite bands from this era that has stood the test of time.
How the hell did Paul Weller go from this to Style Council?!?
That's NOT entertainment !!!
Needless to say, I'm not getting as much done as I'd like.
Aw, well... the economy is in the tank, anyway.
Stingray wrote:
Not even Town Called Malice ? Number one in the UK for a while.
imo definitly right!
Cheers
Could be the basic vocals and acoustic guitar are from the demo. They may have added other tracks to the demo in the studio.
Did not know that, but it makes a ton of sense. Weller claims to have written this song in 15 minutes after coming home drunk one night. Easily one of their best. Billy Bragg does a nice cover as well.
peter_james_bond wrote:
That comment alone could be deconstructed in more ways than a pomegranate has pips. FYI, this "wimp-rock" band was as big as The Clash in the 80s, with Paul Weller seen in the same league as Joe Strummer, as working-class heroes who spoke of the time and spoke for many of those of us in the working class who were getting it up the @rse from the Thatcher counter-revolution. This song is evocative, and descriptive, of its time and is as much social document as song.
Paul Weller himself has gone a bit far up his own @arse for my liking as a solo artist, but that so often happens with young, angry artists who become famous and become themselves the establishment. Even Joe Strummer admitted that he "sold out". So it goes.
Alas, all too true.
But, you know, you could make a good mix CD of all the songs, such as this one, that makes you want to go downtown and throw bricks through the windows of all the banks, stock market offices, and other lawyer emporiums.
The Who's "Summertime Blues" off "Live at Leeds," for instance. And, of course, John Lennon's "Working Class Hero."
Maybe it's the fact that we just got a memo that the budget for office supplies has been cut to zero, so we need to bring in pens and note paper from home, and all the while our lords and masters are going on a "planning retreat" that just happens to be taking place at a 4-star golf resort, or maybe it's the 6th day of 100-degree heat here in NC, but I'm looking a little more lovingly at those bricks this morning.
truth.
I was a teenager living in Ottawa in the 80s and these guys were easily competing for the top of my list.
Ottawa's a nice tourist city now but it was a dumpy post-industrial city then. Literally, the city's only strip club closed due to lack of business.
I had a job in the downtown and I knew the homeless and the drunks on first name basis. The Jam absolutely hit a home run on this song so far as I was concerned at the time.
I rate it a 10.
Hey Art I know of at least three or four net radio places where you can get all the Aldo Nova you like, bro.
That comment alone could be deconstructed in more ways than a pomegranate has pips. FYI, this "wimp-rock" band was as big as The Clash in the 80s, with Paul Weller seen in the same league as Joe Strummer, as working-class heroes who spoke of the time and spoke for many of those of us in the working class who were getting it up the @rse from the Thatcher counter-revolution. This song is evocative, and descriptive, of its time and is as much social document as song.
Paul Weller himself has gone a bit far up his own @arse for my liking as a solo artist, but that so often happens with young, angry artists who become famous and become themselves the establishment. Even Joe Strummer admitted that he "sold out". So it goes.
Oh my. The Greyhound? 77? I was there! That takes me back somewhat. . . beer soaked floors, loons, long hair, head in the speakers.
Those were the days. . . sigh. . .
Thanks for the support. I've been lobbying for this for about 4 1/2 years now, and have only seen "The Butterfly Collector" added to the three cuts that were being played when I first joined the fun here.
We could start the additions with "Start!", the leadoff cut on Sound Affects. That would surely kick off a lively discussion as to whether or not that riff is a tribute to or a rip-off of George's "Taxman" on Revolver.
It's pretty obviously a tribute or homage. I don't think Paul Weller would have expected no one to have noticed the similarity. Do you really think he thought: "Oh, no one will remember this tune - it was recorded by a now-obscure band called 'The Beatles' - we'll fool everyone."
Well, the eat a lot of jam on toast there—-also, they probably have a lot of traffic jams. Maybe they meant it that way?
Thanks for the support. I've been lobbying for this for about 4 1/2 years now, and have only seen "The Butterfly Collector" added to the three cuts that were being played when I first joined the fun here.
We could start the additions with "Start!", the leadoff cut on Sound Affects. That would surely kick off a lively discussion as to whether or not that riff is a tribute to or a rip-off of George's "Taxman" on Revolver.
Not sure that there's a debate on that: I'm pretty sure Weler copped to that as a "tribute".
Agreed!
One of my fav RP afternoons so far. Thanx Bill!
Thanks for the support. I've been lobbying for this for about 4 1/2 years now, and have only seen "The Butterfly Collector" added to the three cuts that were being played when I first joined the fun here.
We could start the additions with "Start!", the leadoff cut on Sound Affects. That would surely kick off a lively discussion as to whether or not that riff is a tribute to or a rip-off of George's "Taxman" on Revolver.
"That's.......the most annoying chorus ever."
best jam-song imho
Can we please get RP to add a few more Jam cuts?
Agreed!
One of my fav RP afternoons so far. Thanx Bill!
Can we please get RP to add a few more Jam cuts?
Well you ARE in Canada. Didn't you guys invent 'hockey-hair'? We just stole it and renamed it "mullet".
Why do you call it a mullet? It doesn't look like a fish-head!!
Because it is good entertainment
How dare you all insult one of the most influential artists of the last 30 years.