Avg rating:
Your rating:
Total ratings: 808
Length: 4:15
Plays (last 30 days): 0
And her blue tick hound dog Gideon,
Sittin on the front porch cooling in the shade
Singin every song the radio played
Waitin for the Alabama sun to go down
Two red dirt girls in a red dirt town
Me and Lillian
Just across the line
And a little southeast of Meridian.
She loved her brother I remember back when
He was fixin' up a '49 Indian
He told her 'Little sister, gonna ride the wind
Up around the moon and back again."
He never got farther than Vietnam,
I was standin there with her when the telegram come
For Lillian.
Now he's lyin somewhere
About a million miles from Meridian.
She said there's not much hope for a red dirt girl
Somewhere out there is the great big world
Thats where I'm bound
And the stars might fall on Alabama
One of these days I'm gonna swing
My hammer down
Away from this red dirt town
I'm gonna make a joyful sound.
She grew up tall and she grew up thin
Buried that old dog Gideon
By a crepe myrtle bush at the back of the yard,
Her daddy turned mean and her mama leaned hard
Got in trouble with a boy from town
Figured that she might as well settle down
So she dug right in
Across a red dirt line
Just a little southeast of Meridian
Yeah she tried hard to love him but it never did take
It was just another way for the heart to break
So she learned to bend.
One thing they don't tell you about the blues
When you got 'em
You keep on falling cause there ain't no bottom
There ain't no end.
At least not for Lillian.
Nobody knows when she started her skid,
She was only 27 and she had five kids.
Coulda been the whiskey,
Coulda been the pills,
Coulda been the dream she was trying to kill.
But there won't be a mention in the news of the world
About the life and the death of a red dirt girl
Named Lillian
Who never got any further
Across the line than Meridian.
Now the stars still fall on Alabama
Tonight she finally laid
That hammer down
Without a sound
In the red dirt ground...
Where to begin?
This one is almost as good as the post that followed immediately after. Brilliant, that is! Inspiring!
"When you're good, you're good" should be sufficient comment.
As for the song, lyrically a tremendous reach. Successful, of course.
That in itself makes it a 10.
Sounds like the producer for this kept his sound.
Actually the producer, Malcolm Burn, worked with Lanois on his first two albums.
On_The_Beach wrote:
Sounds like the producer for this kept his sound.
Interesting point. I believe that Daniel Lanois had some significant influence on Spyboy.
This is Daniel Lanois, Emmylou Harris, Daryl Johnson and Brady Blade doing a very nice version of "The Maker" with a really cool build-up ...
.......... and me; I've never been the same since seeing Emmylou on the Elite Hotel album cover!
...never been the same. Classic.
Sounds like the producer for this kept his sound.
She is spectacular!!
I wondered the same thing, and had to carefully read the lyrics and check a map. Part of the sadness of Lillian's life was that, whereas she grew up in Alabama, just over the Mississippi line -- the farthest she ever made it out of Alabama was just over the Mississippi state border into Mississippi, southeast of Meridian. Lillian wanted to get out of the Red Dirt Town, and made it out of the state, but didn't really get very far away; and certainly did not escape her desperate lifestyle...
There is a town of Lillian in Alabama, but its down near Perdido Key, and I don't think had any significance to the song.
.......... and me; I've never been the same since seeing Emmylou on the Elite Hotel album cover!
I grew up in Montgomery, and we played Meridian in football, so it's not very far. Some lyrics need a little poetic license, so hey.
Coulda been the pills,
Coulda been the dream she was trying to kill."
Love it.
Or the comment I saw on the youtube clip ---->
"I've listened to this song 100 and it still gives me goosebumps. Four minutes of music can tell a big and heartbreaking story. Art at it's best!"
Emmylou is an amazing songwriter.....
Coulda been the pills,
Coulda been the dream she was trying to kill."
Love it.
Godspeed, Ann.
Thanks Emmylou, for keeping me in check with this heartfelt tune...
Saw Emmylou perform this one together with Mark Knopfler in 2006 in Ahoy Rotterdam.
Beautiful, BEAUTIFUL performance, especially with the addition of Knopfler's phenomenal guitar work, perfectly suited for a song like this... I still feel the goosebumps running up and down... A truely magical night that was...
Lucky lucky you!
In my top-ten all time.
Coulda' been the whiskey,
Coulda been the pills,
Coulda been the dream she was trying to kill.
But there won't be a mention in the news of the world
About the life and the death of a red dirt girl
Amen.
Love.
Love.
Love Emmylou.
Saw Emmylou perform this one together with Mark Knopfler in 2006 in Ahoy Rotterdam.
Beautiful, BEAUTIFUL performance, especially with the addition of Knopfler's phenomenal guitar work, perfectly suited for a song like this... I still feel the goosebumps running up and down... A truely magical night that was...
Emmylou Harris by Nicole Rork
https://www.flickr.com/photos/nicolerork/
Interview with Emmylou Harris in the Fine Arts Center.
Emmylou Harris has been hailed as a major figure in several of America's most important musical movements of the past three decades. Harris' contributions to country-rock, the bluegrass revival, folk music, and the Americana movement are widely lauded, and in recent years she also has carved out a sound that is uniquely her own. Her Grammy-winning 1995 Wrecking Ball was a watershed album for her, combining several world-music elements with acoustic instruments, driving percussion, and a folk/roots flavor.
Between 2000 and the present, she has appeared on the O Brother Where Art Thou soundtrack and its spin-off Down From the Mountain tour; collaborated with the Chieftains on their Down the Old Plank Road album and TV special; performed concerts on behalf of a Landmine Free World; and sang with Bright Eyes, Dave Matthews, Bill Mallonee, Ryan Adams, Willie Nelson, Bruce Cockburn, Neil Young, Gillian Welch, Steve Earle, Sheryl Crow, Tracy Chapman, the Dixie Chicks, and Patty Griffin, among others.
Emmylou Harris is invited to perform everywhere from the massive Bonnaroo jam-band rock festival to bluegrass concerts: "That just delights me," she admits. "It proves what I've always thought: that people are eclectic in their tastes, just like me. Most people don't listen to only one kind of music. For the most part, I think people just want to hear good music." That is a credo she has lived by throughout her career.
Harris took up guitar as a teenager inspired by the folk music of Joan Baez, Bob Dylan, Judy Collins and Peter, Paul and Mary. Starving-artist stints in Greenwich Village and Nashville led to regular club work in Washington D.C. Country-rock visionary Gram Parsons discovered her there and brought her to Los Angeles to become his duet partner in 1972. After apprenticing Parsons, she emerged as a solo artist with Pieces of the Sky in 1975. The album electrified the country-music world, becoming the first of her eight consecutive gold or platinum records.
Today, Emmylou Harris is regarded as a key figure in a movement that united rock audiences with country traditionalists. She made country music "hip" and brought it to a vast youth market for the first time. Billboard magazine honored Emmylou Harris with its prestigious Century Award in 1999. At the time, she was lauded as a "truly venturesome, genre-transcending pathfinder" who being given the award "to acknowledge the uncommon excellence of (her) still-unfolding body of work."
All rights reservedI can understand not liking her voice or this style of music, but posters suggesting that there is anything unskilled about the production and performance or less than intellectually complex in the writing are either trolling or woefully incomplete in their own education and experience.
Emmylou Harris & Mark Knopfler - Red Dirt Girl, Live (2006)
Red Dirt Girl from Emmylou's concert with Mark Knopfler in Ahoy, Rotterdam in 2006.
Emmy Lou Harris by Pilgrim on this road - Bill Revill
https://www.flickr.com/photos/billrevill/
Emmy Lou Harris - Newport Folk Festival 2007
© All rights reserved.
As with all aging artists, Emmylou's voice has, in recent years, succumbed to the dreaded "change". True, she does not have the range or the vocal cord control she once had but to make this statement (rather sexist too) is rediculous. Again, as with so many aging artists, did you ever listen to her early stuff? DId you ever read about her earlier life, her years working with Gram Parsons, etc....she does not need to insinuate herself into ANY crowd....her merits stand on their own, attractive or not! Check this out....wow, how could she possibly know anyone in the music business with these shabby credits? -)! (and thank GOD she is no Dolly Parton — apples and oranges my friend)
Grammy Awards
2005 Best Female Country Vocal Performance ("The Connection")
2001 Album of the Year (O Brother, Where Art Thou?)
2000 Best Contemporary Folk Album (Red Dirt Girl)
1999 Best Country Collaboration with Vocals ("After The Gold Rush", with Dolly Parton and Linda Ronstadt)
1998 Best Country Collaboration with Vocals ("Same Old Train", with Alison Krauss, Clint Black, Dwight Yoakam, Earl Scruggs, Joe Diffie, Marty Stuart, Merle Haggard, Pam Tillis, Patty Loveless, Randy Travis, Ricky Skaggs & Travis Tritt)
1995 Best Contemporary Folk Album (Wrecking Ball)
1992 Best Country Performance by a Duo or Group with Vocal (Emmylou Harris & The Nash Ramblers At the Ryman, as Emmylou Harris & The Nash Ramblers)
1987 Best Country Performance by a Duo or Group with Vocal (Trio, with Dolly Parton and Linda Ronstadt)
1984 Best Country Vocal Performance, Female ("In My Dreams")
1980 Best Country Vocal Performance by a Duo or Group ("That Lovin' You Feelin' Again", with Roy Orbison)
1979 Best Country Vocal Performance, Female (Blue Kentucky Girl)
1976 Best Country Vocal Performance, Female (Elite Hotel)<8>
But.
Roseanne Cash was never a red dirt girl.
Silver spooner with the gold cup.
Bah.
Um, what?
1) I don't what Ms. Cash has to do with this.
2) Roseanne Cash was not born wealthy. Her father was an Army radio operator, remember? Sure he went on to change the face of music forever, but she was no 'silver spooner'. And she's had a decent career of her own: comparing her to her father, or to Ms. Harris for that matter, is not fair. Those two are larger-than-life talents who defy all comparisons.
Cosmic America Music, Americana, Y'Alternative.
It's music the country stations won't play because it's to rock.
It's music the rock stations won't play because it's to country.
That's why I like it.
Dig.
Cosmic America Music, Americana, Y'Alternative.
It's music the country stations won't play because it's to rock.
It's music the rock stations won't play because it's to country.
That's why I like it.
But.
Roseanne Cash was never a red dirt girl.
Silver spooner with the gold cup.
Bah.
Not correct...on a grand scale
I think this has to go into the hall of shame as one of the most musically ignorant posts in recent memory.
Not liking someone is fine, we all like different things. But to let that make you totally blind to the accomplishments and talents of one of the more respected musicians of our time is beyond comprehension.
I wonder what Ms. Parton would have to say about that? I doubt that she would agree.
Didn't Lanois produce "Wrecking Ball"?
I have loved her singing all my life (I'm nearing 50), and Emmylou is nearly peerless among vocal talents.
Dolly and Linda Ronstadt love working with her. Gram Parsons thought Emmylou was something special, too.
All you folks who are saying nasty things about Emmylou:
And yeah, you can quote me on that.
Beautiful women but limited range & limited talent. If she wasn't attractive you'd never have heard of her. And actually I do know something about her: She recognizes & supports real talent while simultaneously insinuating herself into their music/lives to keep herself in public view. Dolly Parton she ain't!
Good christ, but that is a stunningly, jaw-droppingly ignorant post.
Appalling indeed. At 61 years of age she may still look alright, but more importantly, at 61 years of age she's still very relevant in the world of music.
Is your real name Bozo the Clown, by any chance? I ask because surely you must be joking, right? Please say you're joking. If you're not, please don't say anything. Ever. .
Good christ, but that is a stunningly, jaw-droppingly ignorant post.
Do you know anything about her? Check your history before you lump Emmylou in with Jessica Simpson and her ilk. This lady is respected across cultural and musical boundaries because she is a raw and original talent.
Bite your tongue!
limited range & limited talent. If she wasn't attractive you'd
never have heard of her. And actually I do know something about her:
She recognizes & supports real talent while simultaneously
insinuating herself into their music/lives to keep herself in public
view. Dolly Parton she ain't!
--------------------------------------------------
There are dumb comments ....
Then there are dumb as dogshit comments
Then there is Feghoot's comment ... that's Donald Trump level dumb
Perhaps he (it's always a he) should check out the Ballad of Emmitt Till - she ain't no lightweight