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I wonder do you ever question why?
... I'm still here wondering what you knowing
I've seen more everyday than I could dream
I don't mind no what I tell you
I don't mind no what I say
I don't mind no what we're saying
But it's a hard hard fight
A hard, hard fight
And I'm turning this one in,
I'm turning this one in
I won't turn back, I've seen the sign
I won't turn back not for anyone
I've seen the sign, and I know what is mine
Eh what a lie, what a lie, what a lie, what a lie looks like
Eh what a lie, what a lie, what a lie, what a lie looks like
You didn't take I don't think you mean quite what you say
I'm hoping you're the friend you claim to be
Oh crow, crow, will you tell me á¹—lease,
Tell me please what you know
You've seen more of the book than I could dream
I do not know what to tell you
I do not know what to say
I do not know what we're saying friend
But it's a hard hard fight
A hard, hard fight
And I'm turning this one in,
I'm turning this one in
I won't turn back, I've seen the sign
I won't turn back not for anyone
I've seen the sign, and I know I have faith
Eh what a lie, what a lie, what a lie, what a lie looks like
Eh what a lie, what a lie, what a lie, what a lie looks like
Eh, eh yeah
Silence when I won't be here anymore
Silence when I won't be here anymore
Silence when I won't be here anymore
Silence when I won't be here anymore
What a lie, what a lie, what a lie
What a lie, what a lie, what a lie
What a lie, what a lie, what a lie
What a lie, what a lie, what a lie
What a lie, what a lie, what a lie
SquiddlyDiddly wrote:
She is still high up on my list of female performers. Perhaps this is a classic case of a rare and fragile flower not best suited to the glare of a spotlight.
That's unfortunate, her difficulty performing live. Maybe this is changing now that performers are becoming less dependent on recording labels and their contracts but I've heard that the way many (most?) of those contracts are constructed, performers rely on live performances for the bulk of their income.
I've only ever seen her perfom on the Jools Holland show (UK). I was excited that she was going to be on there, as I've always loved her voice, but her live performance was really not great - it seemed she was struggling with stage nerves, you could hear it in her voice. A shame - we'll just have to keep listening to her recorded work.
My first hearing "your fingers like fuses, your eyes were cinnamon" really got to me. She has a way of both energizing and desolating you, sort of like watching Breaking Bad.
Overlooked.
I have seen her three times and each time was a disappointment. I really, really love her recorded output and wanted to connect with that live. . . but she is not a natural live performer (in my humble opinion that is) and one time I even walked out half way through I because I could not deal with what I was hearing.
She is still high up on my list of female performers. Perhaps this is a classic case of a rare and fragile flower not best suited to the glare of a spotlight.
Nothing wrong with that..Life should have us all mezmerized in some way or fasion. ;) Everything is to be grateful for! Nothing is promised.
I still like the crooners (Andy Williams is a guilty pleasure of mine), but Beth Orton is another world. The entire "Central Reservation" CD is outstanding, from "Stolen Car" all the way through to the title track.
My dream date would include Allison Goldfrapp, Neko Case, Beth Orton, and Elizabeth Fraser.
Little things like this don't matter to me
rdo wrote:
Ziakut, that was a wonderful bitch session and one I agree with wholeheartedly. I don't know what it means to sing in key, or in tune, or whatever they are trying to communicate. I think too much ink is spilled on meaningless criticisms like this. I don't think anyone pays any attention to these things. They don't matter.
Are you sure? The only redeeming feature it has over Brighton is sand on the beach and a plentiful supply of mobility scooters.
Ziakut, that was a wonderful bitch session and one I agree with wholeheartedly. I don't know what it means to sing in key, or in tune, or whatever they are trying to communicate. I think too much ink is spilled on meaningless criticisms like this. I don't think anyone pays any attention to these things. They don't matter.
Maryanne Faithful, 1960s-1970s: Severe laryngitis, coupled with persistent cocaine abuse during this period, permanently altered Faithfull's voice, leaving it cracked and lower in pitch. While the new sound was praised as "whisky soaked" by some critics, journalist John Jones, of the Sunday Times, wrote that she had "permanently vulgarised her voice".
Well that's journo's for you. Do you think she could sing Kurt Weill's music, which she was born to do, with the voice she had during her 'girl on a motorcycle' days. Or what about her album 'Broken English'? That so-called cracked voice really hits the spot.
Maryanne Faithful, 1960s-1970s: Severe laryngitis, coupled with persistent cocaine abuse during this period, permanently altered Faithfull's voice, leaving it cracked and lower in pitch. While the new sound was praised as "whisky soaked" by some critics, journalist John Jones, of the Sunday Times, wrote that she had "permanently vulgarised her voice".
I love them both too, but I don't think they sound anything alike.
Join you all later a-huh-gain when I can turn up the sound...
And I think she's flat in this one, too.
If she's flat now and then, she's doing a poor job. If she's flat every time, she's singing with skill.
I always preferred Bournemouth to Brighton anyway.
When Bournemouth grows up and becomes a city, it'll still be 1/3rd the size of Brighton, but have twice as many wrinklies.
The number of pop/alternative/etc female singers that sing off-key (usually flat) is mind-blowing for me. Since when did being out of tune become cool and voice lessons (apparently) become taboo? Yikes.
I thought I had bad CD's of her recordings. Glad it's not my my hearing. I still love her voice and music.
And I think she's flat in this one, too.
The number of pop/alternative/etc female singers that sing off-key (usually flat) is mind-blowing for me. Since when did being out of tune become cool and voice lessons (apparently) become taboo? Yikes.
I always preferred Bournemouth to Brighton anyway.
Same here, longtime fan. Saw her in Somerville MA a month ago. Giant letdown, had no voice. 20 years of smoking will destroy your money-maker. Just ask Joni Mitchell. Very sad. Will not see her again. Sigh....
Poppycock .. are you going to say the same of Nat King Cole, George Melley etc ?? and the reference to Joni I really dont get. Her double Album called 'Travelouge' is an Album you must listen to, a musical autobiography, can't witness any croaking there or in any of her Albums.
Same here, longtime fan. Saw her in Somerville MA a month ago. Giant letdown, had no voice. 20 years of smoking will destroy your money-maker. Just ask Joni Mitchell. Very sad. Will not see her again. Sigh....
I have come to the opinion she is not really comfortable performing live. I have seen her thrice and even walked out half way through the last time - we could not bear the train wreck of the performance. Never mind though, she is still played at Poacher Mansions on regular rotation.
Same here, longtime fan. Saw her in Somerville MA a month ago. Giant letdown, had no voice. 20 years of smoking will destroy your money-maker. Just ask Joni Mitchell. Very sad. Will not see her again. Sigh....
Do keep us posted!
Same here. She did look scared and I thought it came across in her performance. Also the Letterman performance sounded much sparser than this and I didn't think it did the piece justice. But good to see her again and I have to say I would be wetting my pants if I had to perform on TV.
She wasn't scared, she had no voice. Probably in the middle of a tour. You could almost see her grimace every time she reached for the power and it wasn't there. It's a horrible feeling for a singer.
Same here. She did look scared and I thought it came across in her performance. Also the Letterman performance sounded much sparser than this and I didn't think it did the piece justice. But good to see her again and I have to say I would be wetting my pants if I had to perform on TV.
The other thing I noticed on her performance and also others is the studio sound balance really is not good at all. There have been a couple of other performers I have seen that I know the tunes are good but they just did not come across real well.
Same here. She did look scared and I thought it came across in her performance. Also the Letterman performance sounded much sparser than this and I didn't think it did the piece justice. But good to see her again and I have to say I would be wetting my pants if I had to perform on TV.
Seriously, very excited for any new Beth Orton. I expect to wear out the CD player with this one.
HAHAHAHAHAHA! And, also seriously, I am very excited to hear some new Beth Orton!
Seriously, very excited for any new Beth Orton. I expect to wear out the CD player with this one.