Avg rating:
Your rating:
Total ratings: 1958
Length: 3:49
Plays (last 30 days): 3
So pale and sincere
Underneath, you know well
You have nothing to fear
For the dreams that came to you
when you were young
Told of a life where spring has sprung
You would seem so frail
In the cold of the night
When the armies of emotion
Go out to fight
But while the earth
Sinks to its grave
You sail to the sky
On the crest of a wave
So forget this cruel world
Where I belong
Ill just sit and wait
And sing my song
And if one day
you should see me in the crowd
Lend a hand and lift me
To your place in the cloud
If you’ve not heard it, try to find it and give it a listen.
“New Age” but soooo light and relaxing.
Sounds like a remix - which I can appreciate since I love both songs.
I'm thinking Nick Drake would love this.
I initially rated this a 3. I must have been feeling particularly generous that day.
average rating a 7.1 puts you in a distinct minority weirdo lol
Covers are usually interpretations, probably not attempts at betterness.
I like this a) for itself b) for the link to Nick
Why it sounds like somebody is taking a shower in the studio?
Listening with headphones today and finally heard the water. To me sounds more like a fountain or a small waterfall on a stream. Nice background.
Why it sounds like somebody is taking a shower in the studio?
Water feature on RP.
I recently added a really good DAC (Denafrips Ares II) and a balanced headphone amp (xDuoo MT-604) and that sound seems to be another percussion track, and there are many other details that I had not heard until now.
GOOD STUFF! ...what cans are you wearing on your head?
Regarding the shower comment, it sounds like a compression artifact of the percussive arpeggio.
I recently added a really good DAC (Denafrips Ares II) and a balanced headphone amp (xDuoo MT-604) and that sound seems to be another percussion track, and there are many other details that I had not heard until now.
Yea, I thought it was raining. I've got it on flac, it's reduced but it's still there. I think it's quantisation noise because the track is full of impulsive sounds and the decoder is getting confused.
I like it how he picks the synth strings hehe.
...and I totally disagree. Drake is like Cohen. Let newer generations put their own spin on genius.
I recall in '76 a ludicrously expensive coffee percolator I bought for my student hovel has a similar vibe!
I have room in my head for both.
first time I've heard this
tired of the Nick Drake version
like this one a lot, it's very pretty
I thought that was my heating system coming on!
https://en.wikipedia.org/wiki/Dark_Was_the_Night_(album)
I hope this helps, Bill.
I could do without the sound of the rain falling from inside an open garage door,though.
I would think that extremely few artists come at a cover from an egotistical standpoint ("I can do this better") instead of with a measure of respect & enjoyment ("Gosh, I wish I could do this as well as this artist"). "Hopefully, somebody else likes my version on its own merits or as a counterpoint to the original." Hell, you or I wouldn't sing a song at a karaoke bar if we didn't enjoy it and hope we don't make a mess of it in front of 15 people (or you could be drunk & don't care). These musicians are putting their music into the hands of 1000's of listeners who aren't standing in the crowd, getting caught up in the moment of a show, and can blast away because it doesn't meet the expectations of the original.
You'r much quicker than me Aaronm, it took me years to come to the same conclusion you managed in 30s. I've adored Nick Drake for several decades and when I first heard this cover I had an over protective knee jerk reaction to the electronic way they had covered it. However had they done it in a folksy way I probably wouldn't have liked that either. After hearing it several times I realised the problem was with me not with the version. I've now come to the opinion that it is a rather good cover (so good in fact that I recently bought it) and rather than diminishing the song it actually shows what a good songwriter Nick was. Not many songs are strong enough to be covered in a totally different genre, in my opinion, this one clearly is.
I'm not his greatest fan, neither is he a regular listen, but when his unique and elegant sound enters your head, you know it's him and it's wonderful.
Cover songs if you can genuinely improve the original by all means, but not Drake. You can't and you won't.
By the way - adore Radio Paradise. Live long and prosper
Nick Drakes work has a special place in my life and I feel his songs deserve the recognition of being covered by other artists. However I find myself being very protective/sensitive to what others do with them. Not sure this version adds much but it certainly doesn’t diminish it, so perhaps I should settle for that?
Exactly! I agree. Well said.
Great comment!
I have room in my head for both.
Covering another artist's song is not an attempt to improve upon it, it's just doing one's own version of it - it's that simple. I'm not sure why so many people in these threads fail to comprehend that; I guess they're not musicians for one thing. I don't especially like this version but who has the authority to tell these guys that they cannot cover this song? Nothing is sacred - get over it.
Nick Drakes work has a special place in my life and I feel his songs deserve the recognition of being covered by other artists. However I find myself being very protective/sensitive to what others do with them. Not sure this version adds much but it certainly doesn’t diminish it, so perhaps I should settle for that?
2. . . at most. Any version.
I'd be careful to assume anything. Assumption is the mother of all cockups.
i agree with this person
yeah
.... ditto
me three :)
Quite pleasant.
.... ditto
Apparently that is all it needed to make it a really good song.
i would not rate this as on par with the original... in fact i would have to especially punish for taking a good song and making it bad.
Consider this thought experiment. What would you rate the song Amazing Grace, which many consider the greatest song ever? Does it really even matter who performs it? Certainly, you could rate the performance of the song, as opposed to the song itself, that is your choice. But since John Newton's Amazing Grace cannot possibly be tied to any single recording or performer, you are forced to somehow rate the song apart from any rendition. What do you rate it? I think people should try to rate the songs here, and not the performance. I consider rating the performance something they do on American Idol (nothing wrong with that, BTW), but RP is more about songs on an aesthetic plane high above that. The talent being rated here is the composition.
I respectfully disagree. Versions (or covers, or renditions, or whatever) do matter and that's what 99% of RP-listeners do rate. To wit: Elbow produced the fine song Mirrorball (currently rated 7.8 on RP), but there has to be a way to punish Peter Gabriel for what he did to it (currently rated 5.5 on RP, relatively low, as RP ratings go).
This cover is wimpy. Jose's voice isn't anywhere close to the evocative nature of Nick's original.
I rate songs, I don't rate versions, renditions, covers, recordings, etc...however it's very hard to separate the song from the original recording of the song which first brought it to my attention. So, I feel no compunction in giving this a 10. Only a complete dufus could screw this song up. For me, it will always be Nick Drake's song, as I first heard it. And most credit goes to him for composing it. He is the one for which the brilliant song will always bring credit, hundreds of years into the future. It would pretty ridiculous for Jose to consider this an achievment of his own, except that he does a fine job here performing it.
Consider this thought experiment. What would you rate the song Amazing Grace, which many consider the greatest song ever? Does it really even matter who performs it? Certainly, you could rate the performance of the song, as opposed to the song itself, that is your choice. But since John Newton's Amazing Grace cannot possibly be tied to any single recording or performer, you are forced to somehow rate the song apart from any rendition. What do you rate it? I think people should try to rate the songs here, and not the performance. I consider rating the performance something they do on American Idol (nothing wrong with that, BTW), but RP is more about songs on an aesthetic plane high above that. The talent being rated here is the composition.
=5=
This cover is wimpy. Jose's voice isn't anywhere close to the evocative nature of Nick's original.
NoEnzLefttoSplit wrote:
They ("From Scratch") were a great percussion outfit that used batteries of PVC tubing which they hit with flipflops back in NZ in the early 80s.
When they performed at the Pacific arts festival people were worried the Pacific islanders would ditch their wooden drums in favor of PVC downpipes (needlessly as it turned out).
They ("From Scratch") were a great percussion outfit that used batteries of PVC tubing which they hit with flipflops back in NZ in the early 80s.
When they performed at the Pacific arts festival people were worried the Pacific islanders would ditch their wooden drums in favor of PVC downpipes (needlessly as it turned out).
actually, it's a very different take on the song and i liked it instantly - something that is rare with covers for great songs.
and coy -
nice cover
I'd say it'ld be darn near next to impossible to screw this one up. 9.
This song is good for the external auditory meatus...
...and for the internal spiritual apparatus to which it is connected.
Drake's version is almost minimalist — as is the case with much of Drake's music. He paints his songs with pale washes of color — there is just enough there to make the song beautiful, and not a hint more. It's a masterpiece of subtlety.
Gonzalez, for the most part, honors this simplicity with the vocal and bass line. In my opinion the rhythmic synth line is an unnecessary distraction.
Perhaps I was a bit harsh when I called it a "pale imitation", but then, Nick Drake is a God!
Maybe you already realized this, but the rhythmic synth is re-creating Nick's acoustic guitar finger-picking.
blueman group meets nick drake, pleasant enough.
Listen to Celestial Soda Pop - by Ray Lynch.
I swear this is the backdrop to this cover. :))