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I walked a lonely mile in the moonlight
And thogh a million stars were shining
My heart was lost on a distant planet
that whirls around the April moon
whirling in an arc of sadness,
I'm lost without you, lost without you!
Though all my kingdoms turn to sand
and fall into the sea...
I'm mad about you, mad about you,.
And from the dark, secluded valleys
I heard the ancient songs of sadness
But every step I thoght of you
Every footstep only you...
And every star a grain of sand
The leavings of a dried-up ocean
Tell me, How much longer, how much longer?
They say a city in the dessert lies
The vanity of an ancient king
But the city lies in broken pieces
Where the wind howls and the vultures sing
These are the works of man
This is the sum of our ambition
It would make a prison of my life
If you became another's wife
With every prison blown to dust
My enemies walk free...
A stone's throw from Jerusalem...
I sort of get what you mean - it was overused, but nothing like as much as the bloody Yamaha DX7
Yep! DX7 was overused big time in those days!
It may be, and he's an incredible musician, but the soprano sax timbre does get slightly tiresome in a way that the alto and tenor never seem to. I've always felt Sting/Branford did overuse it in these early solo albums.
I sort of get what you mean - it was overused, but nothing like as much as the bloody Yamaha DX7
That's Branford Marsalis, you tin-eared fool.
It may be, and he's an incredible musician, but the soprano sax timbre does get slightly tiresome in a way that the alto and tenor never seem to. I've always felt Sting/Branford did overuse it in these early solo albums.
That's Branford Marsalis, you tin-eared fool.
Solo work is one long snooze, IMHO. Love the Police, one of my fave ever. Great live, too. Stewart Copeland one of the most underrated drummers around.
Stewart Copeland is an incredibly talented drummer, and is #10 in Rolling Stones top 100 drummers of all time: https://www.rollingstone.com/music/music-lists/100-greatest-drummers-of-all-time-77933/christian-vander-30083/
"Underrated"? Maybe not :-)
Kenny G played an alto sax...
And that's Branford Marsalis (also on alto) so, respect.
Also, this song is great.
True.
"Branford Marsalis once stated in an interview with Jazziz magazine. 'When all these jazz guys get in a tizzy over Kenny G, they need to leave Kenny alone. He's not stealing jazz. The audience he has wouldn't be caught dead at a real jazz concert or club. It's not like some guy says, 'You know, I used to listen to Miles, Trane and Ornette. And then I heard Kenny G, and I never put on another Miles record.' It's a completely different audience.'"
I remember when the crowd applauded after the concert and wanted an encore, he was already on the way to the airport. What a jackass.
I remember an encore at each of the 5 Sting shows that I have attended over the years. Two encores at Jazz Fest this last April. Multiples on at least one other occasion. Maybe the jackass was opposite the stage.
It's too bad Kenny G. soiled the use of that instrument for any subsequent user.
Kenny G played an alto sax...
And that's Branford Marsalis (also on alto) so, respect.
Also, this song is great.
Yep. Good artist intolerable prick
I remember when the crowd applauded after the concert and wanted an encore, he was already on the way to the airport. What a jackass.
Yep. Good artist intolerable prick
It's too bad Kenny G. soiled the use of that instrument for any subsequent user.
Solo work is one long snooze, IMHO. Love the Police, one of my fave ever. Great live, too. Stewart Copeland one of the most underrated drummers around.
I'm not either.
He was very depressed after his father's death.
The songs on this album were penned from that period of Sting's life.
Look at the positive side - it's still way better than the other way around! ;-)
It is gay men that usually have two Sting CDs in their collection.
Larry "wide stance" Craig is on the message board.
It is gay men that usually have two Sting CDs in their collection.
Just 'cos those Essex girlz are beyond your reach...........
his is most jazzy period
THANKS Bill!
Why not more STING, RP....?
10!!
Nice to see a positive comment from you!
I FINALLY AGREE WITH ONE OF YOUR POSTS!
I'm even using exclamation points after each sentence! bizarre sentence structure AND CAPITALIZATION! and weird punctuation!!
in your honor, sir!
Sorry Sting.
I see you have Talking Heads, Sinead O'Connor, Wilco, and The Decemberists in you list of 10 rated songs. None of these artists have ever been considered pseudointellectual (sic), pretentious, or annoying.
Why not more STING, RP....?
10!!
(Two LOVERS listening to Sting in the hot tub before a passionate love-making session.)
Oh boy....thanks for the visual I did not need!
(Two LOVERS listening to Sting in the hot tub before a passionate love-making session.)
They're usually a Taurus... and can cook one helluva breakfast...
Yeah, but this song is really, really good, right? I think so.
9
PS
There are indeed 29 folks that gave this song a "1"
(possibly with the argument of "personal taste" that cannot be critisized)
Are those people humans...?
Indeed I am human. Sting was my absolute favorite artist in the early 90s. I spent hours listening to DotBT, NLTS, and Bring on the Night not to mention the old Police tracks. I was highly disappointed with Soul Cages and find this song particularly irritating (I gave it a "2").
I lak the way yoo towk
WAY-way-way-way-way not enough STING on this channel!
I always wondered why! One of the few geniuses in music!
PS
There are indeed 29 folks that gave this song a "1"
(possibly with the argument of "personal taste" that cannot be critisized)
Are those people humans...?
the orchestration on this piece and the rest of them - BRILLIANT
That Chief's OK but the Vintage is the one. Even better, the original motocycle!
I've got a feeling you might like this link:
https://www.vignale-gamine.com/apps/forums/topics/show/5412314-israeli-indian-day-celebrations-2011
Here's a hint:
I've heard he owns a blue one as well.
That Chief's OK but the Vintage is the one. Even better, the original motocycle!
I've heard he owns a blue one as well.
Good one!
I've heard he owns a blue one as well.
What problem you have with that song, one of the best written in the past 10 years,
like dozends of others from STING!
As an American you possibly dislike that he (still) supports RED INDIANS?
STING is a genius - BASTA!
Absolutely. I can't not love this one.
I know what you mean.....Sting used to be pretty good, but I've grown tired of him as time goes by....More Police!
Just had me titterring for a fair while, lovely post, hee hee hee!
Easily amused.
Fortunately there is absolutely no need to like a person to enjoy their music.
Just had me titterring for a fair while, lovely post, hee hee hee!
?
You aren't alone, he does some very classy stuff IMO.
- G.K. Chesteron
Not saying this is a masterpiece, but you get the idea. Accessible music doesn't necessarily equal bad music.
You aren't alone, he does some very classy stuff IMO.
- G.K. Chesteron
Not saying this is a masterpiece, but you get the idea. Accessible music doesn't necessarily equal bad music.
Jungle_Jim wrote:
How strange. I was scrolling through the comments of this song, and came across your post just as this line in the song played.
And yes, that sort of passion would be... life-changing.
He'll always be "Burke" to me.
Another plug for Andy Summer's memoirs (click link ->) https://www.andysummers.com/onetrainlater.php, which I'm finding to be a very interesting read. It turns out he played in The Animals and Soft Machine, jammed with Jimi, and was on the London scene when Stewart and Gordon were still in short pants. There's even a bit about him turning on another uberfamous rock guitarist to the virtues of Gibson guitars. All of this, and Andy is pretty decent writer, too (i.e., not ghostwritten).
Oh, and don't forget RP's Amazon link!
If you are a trained seal.
I don't know if this song refers to that story, but I do know it was Solomon, not Herod, and the woman was Bathsheba. David was the offspring.
Certain lines in the song seem to refer to Shelley's Ozymandias:
OZYMANDIAS
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
Since you're in London, you may find it interesting that Shelley wrote the sonnet in response to an earlier poem of the same theme written by Horace Smith:
In Egypt's sandy silence, all alone,
Stands a gigantic Leg, which far off throws
The only shadow that the Desert knows:
"I am great OZYMANDIAS," saith the stone,
"The King of Kings; this mighty City shows
"The wonders of my hand." The City's gone,
Nought but the Leg remaining to disclose
The site of this forgotten Babylon.
We wonder, and some Hunter may express
Wonder like ours, when thro' the wilderness
Where London stood, holding the Wolf in chace,
He meets some fragments huge, and stops to guess
What powerful but unrecorded race
Once dwelt in that annihilated place.
Er, not quite. It was David. Another song refering to this (if this is at all) is Cohen's Hallluja. Thank you for the poems, btw!
Yes! This time is the first time that occurred to me, but I came to see if everyone but me had noticed it. Guess it isn't that popular an idea, but I'd definitely mark it down as an influence.
I don't know if this song refers to that story, but I do know it was Solomon, not Herod, and the woman was Bathsheba. David was the offspring.
Certain lines in the song seem to refer to Shelley's Ozymandias:
OZYMANDIAS
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
Since you're in London, you may find it interesting that Shelley wrote the sonnet in response to an earlier poem of the same theme written by Horace Smith:
In Egypt's sandy silence, all alone,
Stands a gigantic Leg, which far off throws
The only shadow that the Desert knows:
"I am great OZYMANDIAS," saith the stone,
"The King of Kings; this mighty City shows
"The wonders of my hand." The City's gone,
Nought but the Leg remaining to disclose
The site of this forgotten Babylon.
We wonder, and some Hunter may express
Wonder like ours, when thro' the wilderness
Where London stood, holding the Wolf in chace,
He meets some fragments huge, and stops to guess
What powerful but unrecorded race
Once dwelt in that annihilated place.
no, he wrote it for me.
Original for when exactly? This song is nearly 18 years old.
WTF? Are you kidding me? Masterpiece? Huge Artist? Wrong. Dead wrong.
You'd make a prison of my life
If you became another's wife
Sure, I did find out over time that there are more dream women, and I am happily married to her - but this one still "stings" ...